Electronic: Getting Away With It
In honor of the this week at Atomic, I present Electronic. Electronic served as a side-project of New Order lead singer Bernard Sumner. Joining forces with him was ex-Smiths guitarist Johnny Marr, both sharing a mutual love for both electronic (obviously) and house music.
This likely combo also dragged along Neil Tennant of Pet Shop Boys for the ride on their 1989 debut single "Getting Away with It." Rumor has it that the lyrics of the song were a parody on Morrissey's lyrics and public interviews, including the chorus: "However I look / It's clear to see / I love you more than you love me."
The first Electronic album of the same name is ranked highly among my favorite work of Sumner and is definitely worth pursuit if you are new to the band.
Hear this song and other New Order related tracks this week on Thursday, February 4th for Atomic at Neo... See you in the dark.
Posted: February 2nd, 2010
at 12:38pm by Peroxide
Tagged with 1989, atomic, bernard sumner, british, electronic, factory, house, johnny marr, neil tennant, new order, new wave, pet shop boys, synthpop, the smiths
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Max Q: Bucket Head + Monday Night By Satellite
Formed in 1989, Max Q was a collaboration between INXS singer Michael Hutchence and underground electronic post-punk composer Ollie Olsen, who met while working on the film Dogs In Space. Their single eponymous album was quite a departure for both musicians. Layering sparse lyrics with themes of politics and paranoia over industrial-tinged post-punk guitars, disco-inspired synths, and sweeping strings, it's closer to Depeche Mode than the alt-rock of INXS but much more commercial than Olsen's work with Whirlywirld, The Young Charlatans, and No. Chicago house aficionados might be surprised to find that the record's final mix was done by famous DJ and producer Todd Terry.
The album produced one top 10 hit in Australia, but it did not sell well and was never reprinted, and sadly seems largely forgotten by all but a handful of old INXS fans. Though Hutchence died in 1997, Ollie Olsen is still around, mostly doing sound design for films and art installations. If you're into experimental noise/punk, definitely .
The 1984-esque lyrics of "Bucket Head" are delivered in soulful vocals over a minimal bassy background and pop synths that sounded a lot edgier in 1989, but it's still one of my favorites on here. "Monday Night By Satellite" is a futuristic ballad of long-distance love; pretty, dark, mysterious, and cynical.
Though out of print, there are some if you look around. Also check out the to see a time capsule of late '80s politics.
Posted: September 9th, 2009
at 4:04pm by qbot
Tagged with 1989, australian, experimental, french, house, inxs, max q, michael hutchence, no, ollie olsen, paranoia, politics, post punk, todd terry, whirlywirld, young charlatans
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