Archive for the american tag

Blondie: Hanging On The Telephone / Deborah Harry’s Birthday

Tonight, July 1st, we're celebrating Debbie Harry's birthday. In lieu of my own story, I'd like to share someone else's. As Suzanne Shelton wrote on our facebook event page:

This is more appropriate than you know: Blondie was playing at ParkWest the night we opened Neo - everyone from the show turned up to make the club an immediate success. And "Hanging on the Telephone" was one on the first songs I played that night.

Ok I knew that story, but for those who don't know, Suzanne was the very first resident dj at Neo, and she's referring to its opening night on July 25, 1979. She's also responsible for convincing the owners to let her play a new kind of music called "new wave". I am occasionally blown away (and sometimes despaired by) the realization that this music has been played in this club for 31 years. That said, the early days of Neo were much different than they are today, as the club's focus has gone from punk, ska, and mod to goth and industrial to synthpop and EBM.

I feel like we're celebrating more than just Debbie Harry's birthday at the start of this Independence Day weekend. We're celebrating Blondie, we're celebrating Neo, and a country where an underground nightclub can exist for three decades.

From the 1978 classic Parallel Lines, available on amazon.com
official website

Null Device: Electrified

If you've never been to Madison, Wisconsin, you might have some preconceived ideas about it, possibly something involving cheese, football, and maybe beer. Sadly, you'd be missing out on Madison's real gem: their electronic music scene. It never ceases to amaze me just how much talent comes out of this one college town. They have loads of great bands, great venues, one of the best promoters I've ever met, and a friendly crowd of open-minded people attending events. Madison also has a weekend-long electronic music festival that I'm lucky enough to be involved in every year and highly recommend. And trust me, you'll see plenty of Chicagoans there that weekend.

Null Device is one of the bright stars of the Madison scene, an intelligent and interesting synthpop outfit that is as good on the stage as on the CD. Erics Oehler and Goedken get better and better with each release, and watching their fans frantically gobble up the latest offering at their shows, I get the impression that I'm not the only one who thinks so. Their 2007 album Excursions is still one of my favorites, aptly titled for its wanderings into styles that not only cross genres but the entire globe. Their 2010 contribution Suspending Belief comes out tomorrow (June 22) on Nilaihah Records.

Null Device is playing alongside fellow Madison talent Caustic and The Dark Clan at Darkroom on June 27 on their first US tour. It's a diverse lineup of long time friends and occasional collaborators that will definitely make for a fun show.

official website
Buy Null Device on bandcamp.com

Our Daughter’s Wedding: Lawnchairs

If you come to Atomic a lot, you might know Marc. Actually, Marc was there before Atomic was, and he's one of several regulars who occasionally tips me off to some of the gaping holes in my collection. Well one day, Marc sends me an email asking if I have this song. I didn't, but sent an mp3 of it back abooooout 60 seconds later. I'm not saying where I got it, because Marc now thinks I'm some kind of music-finding magician.

I'll admit that I didn't remember it at all, but I liked it, so I played it. Maybe I shouldn't have been surprised that half the regulars were already familiar, but Our Daughter's Wedding was around for barely longer than it took me to locate that mp3. Formed as a rock band in New York in 1977, they quit in 1978, reformed again in 1979 with a more electronic sound, and broke up for good in 1982, "Lawnchairs" having been their only slight taste of fame.

From Nightlife, available on Amazon
MySpace page

Cybotron: Cosmic Cars + Model 500: Night Drive / Movement Detroit May 29-31

Movement 2009 photo by donte

If you go back far enough in electronic music, it all sort of starts to sound like one genre--and in the very early '80s, it sort of was. Before Justice and The Presets, THIS was the original electro. Cybotron was the first moniker of Richard Davis and none other than Juan Atkins, a name I can only hope you recognize as, you know, one of those Detroit guys who created a type of Kraftwerk-sampling futuristic electronic robot music that he called "techno". After founding the label Metroplex in 1985, he started using the name Model 500. In these tracks, you can hear both a European new wave influence and the infancy of the titan that came to be known as Detroit techno.

Movement, more commonly known as the Detroit Electronic Music Festival [or DEMF], comprises of five stages with almost 100 performers as an annual celebration of both the city's influence on and the future of electronic music. Acts range from legendary producers such as Atkins to up and coming musicians and DJs, turning downtown Detroit into a massive party as 80,000 people from all walks of life listen to music and dance for three days. It's an amazing experience I'd recommend to anyone who isn't put off by the sound of a drum machine.

Juan Atkins will be performing live as Model 500 at Movement on May 31. See the Paxahau website more information.

Buy Juan Atkins' music on Amazon.com
Juan Atkins on MySpace

Note: Whether you've never been to Detroit or a seasoned DEMF-goer, if you're planning on attending, I highly recommend reading this article from our friends at JustQualityMusic: JQM Guide To Getting Down At Movement 2010, with festival tips and a list of must-see Movement sets, outside events, and Detroit attractions.

Endora: Perfect Isolation + Carmen

I met this band ten years ago after I saw them opening up for Anything Box. Or it may have been Book of Love. I was instantly hooked on their synthpop sound with goth style vocals. I felt they could have been extremely successful, but for whatever reason, they parted ways after a series of shows and demos. I’m not sure what most of the members are doing these days, but their keyboardist Rubin has remixed numerous trance, synthpop, and EBM tracks (Iris, Icon of Coil, Syrian), and has a successful photography company.

The two songs I’m posting are from a five track demo CD. The first is “Perfect Isolation”, one of my favorite synth songs of the last decade and one of the most heavily requested songs when I did Destination Unknown. The second is their cover of Anything Box’s “Carmen”. It adds a darker dimension to the song without destroying the elements that made the original a classic.

The Handsome Devilz: Girlfriend In A Coma

What I love about the Handsome Devilz is that they are the least pretentious musicians I have ever met. They know they’re talented and have had success in other bands playing their own music, but they absolutely love The Smiths and Morrissey and dedicate a night a month covering their heroes at the Abbey Pub. Lisa and I are big fans of their night “The Queen Is Dead” and look forward to hosting their after show party on the last Thursday of every month. If you go to the show this week, remember that Atomic is free with a wristband or ticket stub from the Abbey and you’ll get to hear Guest DJ Arturo spin a Smiths/Morrissey set!

Old School Freight Train: Heart of Glass

A surprisingly un-ironic bluegrass take on "Heart of Glass", Old School Freight Train's rework is not only beautiful, but a testament to the integrity of the original version by Blondie.

Available from Amazon on their album Six Years.
official site

theSTART: Wartime! (It’s Time 2 Go Now)

This is theSTART...

Kissing their metal & art-rock bands goodbye in the late 90's, vocalist Aimee Echo (Human Waste Project) and swiss army knife multi-instrumentalist Jamie Miller (Snot) bonded over a mutual love for 80's New Wave, ranging from the Cure to Missing Persons to Depeche Mode. They formed a new band together in Los Angeles soon after, encouraging their fans to "rise up & dance to a different beat" on their debut album Shakedown!. The couple provided a soundtrack for the future with memories of the past - new wave for now people.

With three albums and an EP under their belts, theSTART's latest release Ciao, Baby was issued under Metropolis Records. Echo's unique sprite-like delivery recalls the squeaks & squeals of a modern day Lene Lovich or Dale Bozzio, while in the next breath morphing into a howling Siouxsie Sioux or Exene Cervenka. Miller's guitar soundscapes are reminiscent of the early 4AD roster or bands like Bauhaus & the Chameleons. His lush keyboards shimmer, the perfect accent to Echo's pop melodies to create a sound of their own.

Featured here is Ciao, Baby's opening track "Wartime! (It's Time 2 Go Now)" as well as a cover of one of the band's favorite songs, "Cities in Dust" by Siouxsie & the Banshees.

theSTART on Myspace
theSTART website

theSTART are still active & are currently focusing on a new experimental project Normandie. And no, my love for theSTART isn't simply because Echo & I share the same hair stylist & both know the Marilyn Monroe secret! Enjoy & dance. The circle is ever larger...

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