Archive for the covers tag

Colin Meloy: I Know Very Well How I Got My Name

ok ok ONE LAST COVER, ok? It’s time for another tribute to The Smiths/Morrissey tonight, and besides, it’s Colin Meloy…

The album Colin Meloy Sings Morrissey was The Decemberists’ lead singer’s first solo effort, released in 2005 and limited to 100 copies sold only on the accompanying tour, so we’ll forgive you if you haven’t heard of it.

The fact that Meloy finds Morrissey inspiring should be a surprise to no one at all. So much as a cursory listen to both singers’ respective bands speaks for itself. But Meloy is far more than a cover artist, and The Decemberists are far more talented than to be tossed off as yet another indie-rock throwback to The Smiths. Though the storytelling lyrical style might be familiar, The Decemberists reach for a more folksy, Americana tone than their British predecessors, and this is where they shine. Meloy’s covers are no different, but stripped down and backed merely by an acoustic guitar. Applied here to “I Know Very Well How I Got My Name”, it challenges Morrissey’s lyrics to stand on their own.

The Decemberists’ official website
Buy The Decemberists on Amazon.com

Editors: Lullaby

It seems like I’ve been posting a lot of covers lately. I hope you don’t mind, but here’s another, a bit inspired by Nocturna this evening. If you’ve somehow managed to not hear Editors before, go check them out; this may be a cover, but it’s an excellent example of their style.

In a statement about their most recent album and criticism of its tone, Tom Smith wrote, “dark is interesting, dark is exciting, dark can be funny, there’s real life in the dark, real life IS dark…I am so fucking bored of people asking us why we’re so “dark”, or worse questioning our integrity for being this way, this is how we do it, it excites us to express ourselves like this, to be honest we don’t even understand what the alternative is and the alternatives we can imagine are too boring for us to even consider”. Did he just write the Grufti Manifesto?*

Who better to rework a Cure song, then, than Editors? Smith invokes Ian Curtis to make Robert Smith’s lyrics a little more paranoid, but I’m still not buying that he’s really afraid of “the spider man”. In fact, I suspect that he might just be inviting him over for dinner.

This track is taken from the BBC Radio 1 Established 1967 2 disc compilation, released in 2007 and bizarrely listed as being a Kaiser Chiefs album (they contributed the first track). It chronicles 40 years of the legendary radio show with 40 artists doing a cover for each year. Editors were assigned 1989; they certainly did right to choose a song off of Disintegration.

official website
Buy Editors on Amazon.com

*I prefer the word “grufti” because it’s much more inclusive than “goth”. I encourage you to use it as well!

Cph Jet: Just Can’t Get Enough

I hate “Just Can’t Get Enough”.*

There, I said it. It feels good to get that out there. It’s not just that it’s the one of the most overplayed cheesy chunks of pop I’ve ever had to push the play button on, it’s that it’s an overplayed cheesy chunk of pop from a band that has literally hundreds of other more interesting songs in their repertoire. For crying out loud, this is Depeche Mode we’re talking about here, not some one-hit wonder outfit whose entire career rests on having one memorable single released in 1985 or something. We have so many other options, let’s use them.

That said, when I heard this Cph Jet cover, suddenly it changed my whole opinion. Just as even the most bland food becomes delicious when battered and deep fried, I will swallow a chiptune version of practically anything. Anders Remmer replaces Dave Gahan’s adolescent-sounding vocals with adolescent-sounding robots and Vince Clarke’s cheesy ’80s synths with cheesy ’80s 8-bit video game synths. Is this awesome? Yes, yes it is.

From the exceptionally good but difficult to find Danish Depeche Mode tribute album DMDK, also containing a terrific cover of “Strangelove” by Tiger Baby; available via import on iMusik Denmark.
Anders Remmer’s Wikipedia page

*Disclaimer: Opinions expressed in this post do not represent the opinions of the rest of the Atomic bloggers, probably most of the Neo staff, and definitely not Kamar, who LOVES this song, no matter how many times he’s heard it.

Endora: Perfect Isolation + Carmen

I met this band ten years ago after I saw them opening up for Anything Box. Or it may have been Book of Love. I was instantly hooked on their synthpop sound with goth style vocals. I felt they could have been extremely successful, but for whatever reason, they parted ways after a series of shows and demos. I’m not sure what most of the members are doing these days, but their keyboardist Rubin has remixed numerous trance, synthpop, and EBM tracks (Iris, Icon of Coil, Syrian), and has a successful photography company.

The two songs I’m posting are from a five track demo CD. The first is “Perfect Isolation”, one of my favorite synth songs of the last decade and one of the most heavily requested songs when I did Destination Unknown. The second is their cover of Anything Box’s “Carmen”. It adds a darker dimension to the song without destroying the elements that made the original a classic.

The Handsome Devilz: Girlfriend In A Coma

What I love about the Handsome Devilz is that they are the least pretentious musicians I have ever met. They know they’re talented and have had success in other bands playing their own music, but they absolutely love The Smiths and Morrissey and dedicate a night a month covering their heroes at the Abbey Pub. Lisa and I are big fans of their night “The Queen Is Dead” and look forward to hosting their after show party on the last Thursday of every month. If you go to the show this week, remember that Atomic is free with a wristband or ticket stub from the Abbey and you’ll get to hear Guest DJ Arturo spin a Smiths/Morrissey set!

Placebo: Bigmouth Strikes Again

Somewhere back in the ’90s, I drug a handful of friends to a Placebo show in St. Louis. Having only ever heard their solitary US hit “Pure Morning”, they were skeptical, and I can hardly blame them. I don’t much care for that song; to me it is to Placebo what “Vaseline” is to Flaming Lips fans: an annoyance that requires so many “no but really, their other stuff is so much more than that” explanations.

I’m proud to say that my friends left the show that night as Placebo fans, and henceforth trusted my judgement about these sorts of things.

Despite the little airplay they get here in the States, thankfully they’ve attracted enough of a cult following to tour here every few years. I always go see them, and -I can’t say this about too many bands- they’ve always gotten better. One of the things one comes to expect from their encores is a cover of someone who has influenced them; I’m quite fond of what they’ve done to The Pixies and Kate Bush. But since this week we are providing the afterparty for The Queen Is Dead (details to your right), it seemed more fitting to post their rocked-out version of The Smiths’ classic “Bigmouth Strikes Again” from their collection of covers Sleeping With Ghosts. Though not necessarily as good or true to the original, their take on it is worth noting.

Placebo on Amazon
Official Website

Old School Freight Train: Heart of Glass

A surprisingly un-ironic bluegrass take on “Heart of Glass”, Old School Freight Train’s rework is not only beautiful, but a testament to the integrity of the original version by Blondie.

Available from Amazon on their album Six Years.
official site

theSTART: Wartime! (It’s Time 2 Go Now)

This is theSTART…

Kissing their metal & art-rock bands goodbye in the late 90′s, vocalist Aimee Echo (Human Waste Project) and swiss army knife multi-instrumentalist Jamie Miller (Snot) bonded over a mutual love for 80′s New Wave, ranging from the Cure to Missing Persons to Depeche Mode. They formed a new band together in Los Angeles soon after, encouraging their fans to “rise up & dance to a different beat” on their debut album Shakedown!. The couple provided a soundtrack for the future with memories of the past – new wave for now people.

With three albums and an EP under their belts, theSTART’s latest release Ciao, Baby was issued under Metropolis Records. Echo’s unique sprite-like delivery recalls the squeaks & squeals of a modern day Lene Lovich or Dale Bozzio, while in the next breath morphing into a howling Siouxsie Sioux or Exene Cervenka. Miller’s guitar soundscapes are reminiscent of the early 4AD roster or bands like Bauhaus & the Chameleons. His lush keyboards shimmer, the perfect accent to Echo’s pop melodies to create a sound of their own.

Featured here is Ciao, Baby‘s opening track “Wartime! (It’s Time 2 Go Now)” as well as a cover of one of the band’s favorite songs, “Cities in Dust” by Siouxsie & the Banshees.

theSTART on Myspace
theSTART website

theSTART are still active & are currently focusing on a new experimental project Normandie. And no, my love for theSTART isn’t simply because Echo & I share the same hair stylist & both know the Marilyn Monroe secret! Enjoy & dance. The circle is ever larger…

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