theSTART: Wartime! (It’s Time 2 Go Now)
Kissing their metal & art-rock bands goodbye in the late 90’s, vocalist Aimee Echo (Human Waste Project) and swiss army knife multi-instrumentalist Jamie Miller (Snot) bonded over a mutual love for 80’s New Wave, ranging from the Cure to Missing Persons to Depeche Mode. They formed a new band together in Los Angeles soon after, encouraging their fans to “rise up & dance to a different beat” on their debut album Shakedown!. The couple provided a soundtrack for the future with memories of the past – new wave for now people.
With three albums and an EP under their belts, theSTART’s latest release Ciao, Baby was issued under Metropolis Records. Echo’s unique sprite-like delivery recalls the squeaks & squeals of a modern day Lene Lovich or Dale Bozzio, while in the next breath morphing into a howling Siouxsie Sioux or Exene Cervenka. Miller’s guitar soundscapes are reminiscent of the early 4AD roster or bands like Bauhaus & the Chameleons. His lush keyboards shimmer, the perfect accent to Echo’s pop melodies to create a sound of their own.
Featured here is Ciao, Baby’s opening track “Wartime! (It’s Time 2 Go Now)” as well as a cover of one of the band’s favorite songs, “Cities in Dust” by Siouxsie & the Banshees.

theSTART on Myspace
theSTART website
theSTART are still active & are currently focusing on a new experimental project Normandie. And no, my love for theSTART isn’t simply because Echo & I share the same hair stylist & both know the Marilyn Monroe secret! Enjoy & dance. The circle is ever larger…
Posted: February 10th, 2010
at 7:42pm by Peroxide
Tagged with 2007, 4ad, aimee echo, american, bauhaus, ciao baby, covers, depeche mode, goth, human waste project, jamie miller, metropolis, missing persons, new wave, normandie, pop, siouxsie, snot, the chameleons, the cure, thestart
Categories: Peroxide
Comments: 2 comments
Colder: To The Music
I’ll complete our series of New Order tribute posts this week with a look towards the future and an artist I have been dying to write about since we started this blog. The work of Parisian graphic designer Marc Nguyen Tan, Colder bears some resemblance to the fashion industry he works in by day; dark minimalism comes across as stylish and sexy despite it’s mechanical synthesized structure and disassociated vocals. Is this meant to be heard on a dance floor, or alone at home with the lights out?
“To The Music” is a particular favorite of mine, an anthem to the solitary dancer, lost in the music and oblivious to the gaze of bystanders. I can think of few songs more appropriate for Neo, where it seems all eyes are on the floor. It’s taken from Heat, but if I were to recommend only one Colder album, I’d first choose 2003’s solid Again. Though the influence of Joy Division couldn’t be more obvious, it’s an equally fine example of modern French new wave.
Without an official website (or even so much as a MySpace page) and a now-defunct label, it’s difficult to know if/when there will be another Colder album out. In this rare interview in 2005, he seems to indicate that making music is not a high priority, so we may be waiting a while. He also hints at a collaboration with Chris & Cosey. Yes, that Chris & Cosey.
Finally, no post on Colder would be complete without including Nguyen Tan’s unbelievably good remix of Depeche Mode’s “Clean”. I feel like Depeche Mode doesn’t get enough credit for how spot-on they are with choosing the most perfect and current producers to remix their stuff, and they really nailed it with this one. Do I dare say it? I like it better than the original.

Coincidentally, Marc Nguyen Tan released a new album just last week; it’s a collaboration with his long time friend Guillaume Ollendorff, under the name Scratoa!. Called Live en San Antón, it was recorded in the barrio of the same name in Alicante, Spain two years ago. It’s improvised noisy experimental sound is quite a departure from Colder, and will more likely appeal to Nurse With Wound fans. Scratoa! on Amazon
Posted: February 3rd, 2010
at 6:17pm by Qbot
Tagged with 2005, again, chris and cosey, clean, colder, dark, depeche mode, designer, french, guillaume ollendorff, heat, joy division, live en san anton, marc nguyen tan, minimalism, new order, new wave, nurse with wound, paris, post punk, remix, scratoa, to the music, tribute
Categories: Qbot
Comments: 1 comment
Ministry: Same Old Madness
So, you all know industrial gods Ministry. Most of you are familiar with the likes of “So What,” “Stigmata” and “Jesus Built My Hotrod.” You’re even pretty familiar with the first Ministry album With Sympathy, which you’re afraid to admit that you like better than the rest of their work. You wish Al Jourgensen would have kept hanging out with Depeche Mode (I kid!) for more fake British accent and made more records like this.
But HEY! You can take one more trip down that synthy route that they were known for at the time with this unreleased single “Same Old Madness.”
This track still has not seen an official release. It was originally supposed to see light in 1982 as the band’s second single following “Cold Life.” The song was recorded and a video was filmed (partially at Chicago’s Metro, as legend has it) until Ministry decided to move to Arista Records for the release of With Sympathy.
Sidenote: Angry Biker Al in the video? MMM, what a treat.
Posted: January 18th, 2010
at 12:53pm by Peroxide
Tagged with 1982, al jourgensen, american, arista, depeche mode, ebm, industrial, ministry, new wave, synthpop, wax trax
Categories: Peroxide
Comments: No comments
Atomic Halloween Mix 2009
I made a quick mix this afternoon, loosely based on my sets at our costume contest Thursday night. Have a great Halloween!
Tracklisting:
Human League: Darkness
Anne Clark: Sleeper In Metropolis
Cabaret Voltaire: Yashar [John Robie Mix]
Ministry: Everyday is Halloween
Animotion: Obsession
Duran Duran: Wild Boys
Depeche Mode: Personal Jesus [Pump Mix]
Michael Jackson: Thriller [DiscoTech Remix]
Front 242: Welcome To Paradise
Posted: October 31st, 2009
at 4:02pm by Qbot
Tagged with 2009, american, animotion, anne clark, belgian, british, cabaret voltaire, darkness, depeche mode, discotech, duran duran, everyday is halloween, front 242, halloween, human league, industrial, michael jackson, ministry, mix, new wave, obsession, personal jesus, pop, remix, synthpop, thriller, wax trax, welcome to paradise, wild boys, yashar
Categories: Qbot
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Figures on a Beach: No Stars

Based out of Detroit, Figures on a Beach made their first mark on the new wave with their independent debut EP Swimming, which became a Detroit favorite and underground radio staple. It quickly caught the attention of dance mix master Ivan Ivan (responsible for discovering synthpop sweethearts Book of Love and scoring a club hit with “The Dominatrix Sleeps Tonight”), who helped them in advancing their sound as well as getting signed to Sire Records along side the likes of Depeche Mode and Erasure.
Figures on a Beach are most notable for their track “No Stars” from their debut album Standing on Ceremony (also their debut record on Sire) in 1987. With vocals that slightly resemble Bryan Ferry and Bunnymen-esque guitars, Figures on a Beach had their five minutes with this track before becoming a victim to 90’s grunge (ick!) and calling it a day in 1991.

Standing on Ceremony was recently released in CD format, making Figures on a Beach’s material available for the first time digitally.
official website
Figures on a Beach on Amazon
Posted: October 17th, 2009
at 8:55am by Peroxide
Tagged with 1987, american, book of love, depeche mode, erasure, figures on a beach, ivan ivan, standing on ceremony
Categories: Peroxide
Comments: No comments
The Assembly: Never Never

If you are into New Wave in any way, shape or form, chances are the name Vince Clarke is very familiar to you. You knew him on Depeche Mode’s Speak & Spell. You knew him from two Yaz (or Yazoo) records. You certainly knew him as a partner in crime for Andy Bell in Erasure. But did you know him in the Assembly?
The Assembly were a short-lived project started by Clarke with producer Eric Radcliffe, following closely after the split of Yaz in 1983. Their original idea was to have a new singer on every track but only ended up releasing one single entitled “Never Never.” The singer chosen for the track was Feargal Sharkey of the Undertones – quite a departure from the sound of that band and an unlikely match for Clarke, but somehow it worked. The result was a little piece of magic which still remains a perfect (synth)pop song, similar to that of Yaz’s “Only You.”

“It never happens to me, maybe that’s the way my life was meant to be…” Now, what new waver can’t relate to that?!
Posted: October 7th, 2009
at 6:06pm by Peroxide
Tagged with 1983, british, depeche mode, erasure, new wave, synthpop, the assembly, the undertones, vince clarke, yaz
Categories: Peroxide
Comments: 1 comment







