Archive for the depeche mode tag

Cph Jet: Just Can’t Get Enough

I hate “Just Can’t Get Enough”.*

There, I said it. It feels good to get that out there. It’s not just that it’s the one of the most overplayed cheesy chunks of pop I’ve ever had to push the play button on, it’s that it’s an overplayed cheesy chunk of pop from a band that has literally hundreds of other more interesting songs in their repertoire. For crying out loud, this is Depeche Mode we’re talking about here, not some one-hit wonder outfit whose entire career rests on having one memorable single released in 1985 or something. We have so many other options, let’s use them.

That said, when I heard this Cph Jet cover, suddenly it changed my whole opinion. Just as even the most bland food becomes delicious when battered and deep fried, I will swallow a chiptune version of practically anything. Anders Remmer replaces Dave Gahan’s adolescent-sounding vocals with adolescent-sounding robots and Vince Clarke’s cheesy ’80s synths with cheesy ’80s 8-bit video game synths. Is this awesome? Yes, yes it is.

From the exceptionally good but difficult to find Danish Depeche Mode tribute album DMDK, also containing a terrific cover of “Strangelove” by Tiger Baby; available via import on iMusik Denmark.
Anders Remmer’s Wikipedia page

*Disclaimer: Opinions expressed in this post do not represent the opinions of the rest of the Atomic bloggers, probably most of the Neo staff, and definitely not Kamar, who LOVES this song, no matter how many times he’s heard it.

Atomic’s 2 year anniversary / Cut Copy: Sands of Time

Join us tonight to celebrate two years of the best new wave party in Chicago with special guests Dark Wave Disco.
facebook event page

How time flies…
People ask me sometimes how we get so many people to come out to Neo on Thursday nights. There’s a lot of factors involved (remnants of a built in crowd, people really like Depeche Mode, Neo’s new wave-steeped history), but the short answer is that Kamar and I knew what we wanted to do; we had a good idea, we executed it, and it worked. We’ve never gotten a whiff of press coverage. We’re more likely to pluck our guest djs off of our own dance floor than book a big name. At the end of the night, what brings people back every week is the energy of the music and the crowd, the feeling that everyone is welcome, and that anyone can be and dance how they want.

The first thing we decided, and the one thing we’ve very much stuck to our guns about, is that it’s not an “’80s night”. We’ve all been to ’80s nights. There’s nothing special about most of them and we’ve all heard more than enough cheesy pop for our lifetimes. It’s not what Atomic is about. There is an astonishing number of current acts in the new wave/synthpop/new romantic genres, and the best way to keep the music -and the crowd- fresh week after week is to include that.

The one band that matches our style perfectly, hands down, is Cut Copy. Their New Order-reincarnate sound has been a staple every week for the last two years, right in there with all the Soft Cell and Human League where it belongs. Now if they would just get a little more prolific…

official site
“Sands of Time” is unreleased; buy Cut Copy on Amazon

Depeche Mode Tribute this Thursday!

Every year, we do a tribute to Depeche Mode, one of the most popular and influential electronic bands that ever was [I'd place them just under Kraftwerk]. There’s hardly anything I can say about them that hasn’t been said, but certainly this week we’ll be playing some DM tracks that don’t normally get a lot of attention, right next to plenty that do. The frustrating bit about doing these is that there’s always about 5 songs that, at the end of the night, I’m kicking myself for not playing. Six hours isn’t even enough time for a band who has been putting out consistently good work for 30 years.
The particularly amazing thing is how while their early stuff still holds up pretty well after all this time, they’ve progressed so far as to sound almost nothing like those first albums–and yet still sound like the same band. To illustrate this, I’ve chosen to post “Monument”, from the 1982 release A Broken Frame, a new wave track so minimal it can barely be danced to, whispering of techno and covered in fantastic ’80s bleepy synths. In contrast, their recent single “Wrong” is loud and in-your-face, and the synths, now joined by guitars, are darker and harsher. This version is a remix by dubstep master Caspa [who coincidentally is playing at Smartbar on the same night]. The genre-overlay is really well done, and I think it says as much about the versatility of Depeche Mode’s songwriting as Caspa’s production skills.
Download and dig in, we’ll see you on Thursday with a whole lot more!

official website
Depeche Mode on Amazon.com

theSTART: Wartime! (It’s Time 2 Go Now)

This is theSTART…

Kissing their metal & art-rock bands goodbye in the late 90′s, vocalist Aimee Echo (Human Waste Project) and swiss army knife multi-instrumentalist Jamie Miller (Snot) bonded over a mutual love for 80′s New Wave, ranging from the Cure to Missing Persons to Depeche Mode. They formed a new band together in Los Angeles soon after, encouraging their fans to “rise up & dance to a different beat” on their debut album Shakedown!. The couple provided a soundtrack for the future with memories of the past – new wave for now people.

With three albums and an EP under their belts, theSTART’s latest release Ciao, Baby was issued under Metropolis Records. Echo’s unique sprite-like delivery recalls the squeaks & squeals of a modern day Lene Lovich or Dale Bozzio, while in the next breath morphing into a howling Siouxsie Sioux or Exene Cervenka. Miller’s guitar soundscapes are reminiscent of the early 4AD roster or bands like Bauhaus & the Chameleons. His lush keyboards shimmer, the perfect accent to Echo’s pop melodies to create a sound of their own.

Featured here is Ciao, Baby‘s opening track “Wartime! (It’s Time 2 Go Now)” as well as a cover of one of the band’s favorite songs, “Cities in Dust” by Siouxsie & the Banshees.

theSTART on Myspace
theSTART website

theSTART are still active & are currently focusing on a new experimental project Normandie. And no, my love for theSTART isn’t simply because Echo & I share the same hair stylist & both know the Marilyn Monroe secret! Enjoy & dance. The circle is ever larger…

Colder: To The Music

I’ll complete our series of New Order tribute posts this week with a look towards the future and an artist I have been dying to write about since we started this blog. The work of Parisian graphic designer Marc Nguyen Tan, Colder bears some resemblance to the fashion industry he works in by day; dark minimalism comes across as stylish and sexy despite it’s mechanical synthesized structure and disassociated vocals. Is this meant to be heard on a dance floor, or alone at home with the lights out?

“To The Music” is a particular favorite of mine, an anthem to the solitary dancer, lost in the music and oblivious to the gaze of bystanders. I can think of few songs more appropriate for Neo, where it seems all eyes are on the floor. It’s taken from Heat, but if I were to recommend only one Colder album, I’d first choose 2003′s solid Again. Though the influence of Joy Division couldn’t be more obvious, it’s an equally fine example of modern French new wave.

Without an official website (or even so much as a MySpace page) and a now-defunct label, it’s difficult to know if/when there will be another Colder album out. In this rare interview in 2005, he seems to indicate that making music is not a high priority, so we may be waiting a while. He also hints at a collaboration with Chris & Cosey. Yes, that Chris & Cosey.

Finally, no post on Colder would be complete without including Nguyen Tan’s unbelievably good remix of Depeche Mode’s “Clean”. I feel like Depeche Mode doesn’t get enough credit for how spot-on they are with choosing the most perfect and current producers to remix their stuff, and they really nailed it with this one. Do I dare say it? I like it better than the original.

Colder on Amazon

Coincidentally, Marc Nguyen Tan released a new album just last week; it’s a collaboration with his long time friend Guillaume Ollendorff, under the name Scratoa!. Called Live en San Antón, it was recorded in the barrio of the same name in Alicante, Spain two years ago. It’s improvised noisy experimental sound is quite a departure from Colder, and will more likely appeal to Nurse With Wound fans. Scratoa! on Amazon

Ministry: Same Old Madness

So, you all know industrial gods Ministry. Most of you are familiar with the likes of “So What,” “Stigmata” and “Jesus Built My Hotrod.” You’re even pretty familiar with the first Ministry album With Sympathy, which you’re afraid to admit that you like better than the rest of their work. You wish Al Jourgensen would have kept hanging out with Depeche Mode (I kid!) for more fake British accent and made more records like this.

But HEY! You can take one more trip down that synthy route that they were known for at the time with this unreleased single “Same Old Madness.”

This track still has not seen an official release. It was originally supposed to see light in 1982 as the band’s second single following “Cold Life.” The song was recorded and a video was filmed (partially at Chicago’s Metro, as legend has it) until Ministry decided to move to Arista Records for the release of With Sympathy.

Sidenote: Angry Biker Al in the video? MMM, what a treat.

Ministry at Amazon.com

Atomic Halloween Mix 2009

I made a quick mix this afternoon, loosely based on my sets at our costume contest Thursday night. Have a great Halloween!

photo by Jason Ernst, wildharedesigns.com

Tracklisting:
Human League: Darkness
Anne Clark: Sleeper In Metropolis
Cabaret Voltaire: Yashar [John Robie Mix]
Ministry: Everyday is Halloween
Animotion: Obsession
Duran Duran: Wild Boys
Depeche Mode: Personal Jesus [Pump Mix]
Michael Jackson: Thriller [DiscoTech Remix]
Front 242: Welcome To Paradise

Figures on a Beach: No Stars

Based out of Detroit, Figures on a Beach made their first mark on the new wave with their independent debut EP Swimming, which became a Detroit favorite and underground radio staple. It quickly caught the attention of dance mix master Ivan Ivan (responsible for discovering synthpop sweethearts Book of Love and scoring a club hit with “The Dominatrix Sleeps Tonight”), who helped them in advancing their sound as well as getting signed to Sire Records along side the likes of Depeche Mode and Erasure.

Figures on a Beach are most notable for their track “No Stars” from their debut album Standing on Ceremony (also their debut record on Sire) in 1987. With vocals that slightly resemble Bryan Ferry and Bunnymen-esque guitars, Figures on a Beach had their five minutes with this track before becoming a victim to 90′s grunge (ick!) and calling it a day in 1991.

Standing on Ceremony was recently released in CD format, making Figures on a Beach’s material available for the first time digitally.

official website
Figures on a Beach on Amazon

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