Archive for the ‘french’ tag

Colder: To The Music

I’ll complete our series of New Order tribute posts this week with a look towards the future and an artist I have been dying to write about since we started this blog. The work of Parisian graphic designer Marc Nguyen Tan, Colder bears some resemblance to the fashion industry he works in by day; dark minimalism comes across as stylish and sexy despite it’s mechanical synthesized structure and disassociated vocals. Is this meant to be heard on a dance floor, or alone at home with the lights out?

“To The Music” is a particular favorite of mine, an anthem to the solitary dancer, lost in the music and oblivious to the gaze of bystanders. I can think of few songs more appropriate for Neo, where it seems all eyes are on the floor. It’s taken from Heat, but if I were to recommend only one Colder album, I’d first choose 2003’s solid Again. Though the influence of Joy Division couldn’t be more obvious, it’s an equally fine example of modern French new wave.

Without an official website (or even so much as a MySpace page) and a now-defunct label, it’s difficult to know if/when there will be another Colder album out. In this rare interview in 2005, he seems to indicate that making music is not a high priority, so we may be waiting a while. He also hints at a collaboration with Chris & Cosey. Yes, that Chris & Cosey.

Finally, no post on Colder would be complete without including Nguyen Tan’s unbelievably good remix of Depeche Mode’s “Clean”. I feel like Depeche Mode doesn’t get enough credit for how spot-on they are with choosing the most perfect and current producers to remix their stuff, and they really nailed it with this one. Do I dare say it? I like it better than the original.

Colder on Amazon

Coincidentally, Marc Nguyen Tan released a new album just last week; it’s a collaboration with his long time friend Guillaume Ollendorff, under the name Scratoa!. Called Live en San Antón, it was recorded in the barrio of the same name in Alicante, Spain two years ago. It’s improvised noisy experimental sound is quite a departure from Colder, and will more likely appeal to Nurse With Wound fans. Scratoa! on Amazon

Fatima: Hassan

I first heard this song on an untitled mix tape with no track listing about twenty years ago. The tape was destroyed after years of over-use, and sadly I never learned the name or artist. Sometime in the early part of the last decade, DJ Dave Roberts loaned me a CD with a bunch of obscure new wave. When I realized that this song was on the CD, I nearly pissed myself. It’s crazy how songs from the past somehow always end up finding you years later. The quality of this song isn’t that great; it was ripped  from a CDR  and then burned onto another. If anyone has the actual release of this song, please let me know!

Lisa’s note: I found a great post on Hassan, along with the Razormaid mix, here on RetroWonderland. Definitely worth checking out!

Deux: Game And Performance

A lot of people get really upset when I say this, but I swear it’s true; most of what we play at Atomic isn’t technically new wave. Depeche Mode? Synthpop. Duran Duran? New Romantic. Joy Division? Post Punk. I could go on and on, but we’re not that picky, and most people would probably be bored to tears with a pure new wave night anyway. When I think of real new wave, I think of the simple electronic pop that could be defined in no other way. I think of M, or even Devo, but personally I lean towards the darker stuff. And no one, I mean no one, did this better than the French in the early ’80s.

Deux is a great example of this.  The duo formed when Gérard Pelletier moved to Lyon and met art school student Cati Tete [her artwork is described as violent and grotesque, but sadly I couldn't dig any of it up online].  Their music is clearly heavily inspired by Kraftwerk and in current contexts is easily confused with Ladytron.  Though they seem to have done rather well in France and at one point had their own imprint, the label went under after only a few years. After an attempt at more mainstream singles in the early ’90s, Deux ceased to release anything.  Too bad; I’d love to hear what they’d make now if they returned to the studio.

“Game and Performance” was their 1983 debut single, a pop song left naked, stripped of all but minimalist lyrics and melodies. Find it on their career-spanning 2006 compilation Agglomerat.

Available through the Deux official website.

Give thanks for Nitzer Ebb!

Ok, so… it’s a bit hypocritical for me to post this, I’ll admit it. I mostly make fun of Nitzer Ebb; I have food related parody vocals for most of their songs. I hardly need to put much effort into it with stuff like this on their Wikipedia page: “Nitzer Ebb began when Bon Harris and David Gooday asked Douglas McCarthy to sing in their band. They shared an interest in witchcraft, talking to trees, and collecting runestones in Chelmsford and Little Baddow”

Talking to trees?

But I can’t deny their influence, which is rampant everywhere from synthpop to Detroit techno and, of course, the industrial and EBM scenes that they had a hand in founding. Their style sounded very dated to me 10 years ago, but now the minimalism sounds fresh–all things come back again, of course.

I choose to post “Let Your Body Learn” from 1987’s That Total Age release because to me, it relates well to new wave [and I'm sure the influence goes both ways]. I’m also including a new track from Neon Electronics vs The Hacker that I’ve been playing alongside various Nitzer Ebb tracks the last few weeks; it’s a fantastic modern example of their continuing impact on electronic music and instantly got a warm reception on the dance floor.

We’re thrilled to be giving away tickets to their upcoming concert on Thanksgiving night. Though lacking in trees, Nitzer Ebb put on a great live show, and I’m sure they won’t disappoint. Opening for them is my absolute favorite local-Chicago-via-way-of-Detroit band Kill Memory Crash, and if you haven’t seen them, get there early–you will be blown away. I’ve posted their song “Demento”, also wearing a bit of Nitzer Ebb inspiration, from their 2004 album American Automatic. They have new stuff and it’s amazing, but still unreleased so you’ll have to listen to my radio show if you want to hear it.

See you on Thanksgiving night, and see you at the Nitzer Ebb show!

Amazon’s Nitzer Ebb Store
Neon Electronics vs The Hacker
Kill Memory Crash on Amazon

Max Q: Bucket Head + Monday Night By Satellite

Formed in 1989, Max Q was a collaboration between INXS singer Michael Hutchence and underground electronic post-punk composer Ollie Olsen, who met while working on the film Dogs In Space. Their single eponymous album was quite a departure for both musicians. Layering sparse lyrics with themes of politics and paranoia over industrial-tinged post-punk guitars, disco-inspired synths, and sweeping strings, it’s closer to Depeche Mode than the alt-rock of INXS but much more commercial than Olsen’s work with Whirlywirld, The Young Charlatans, and No. Chicago house aficionados might be surprised to find that the record’s final mix was done by famous DJ and producer Todd Terry.

The album produced one top 10 hit in Australia, but it did not sell well and was never reprinted, and sadly seems largely forgotten by all but a handful of old INXS fans. Though Hutchence died in 1997, Ollie Olsen is still around, mostly doing sound design for films and art installations. If you’re into experimental noise/punk, definitely look him up.

The 1984-esque lyrics of “Bucket Head” are delivered in soulful vocals over a minimal bassy background and pop synths that sounded a lot edgier in 1989, but it’s still one of my favorites on here. “Monday Night By Satellite” is a futuristic ballad of long-distance love; pretty, dark, mysterious, and cynical.

Though out of print, there are some used copies available if you look around. Also check out the video for “Way Of The World” to see a time capsule of late ’80s politics.

Official Michael Hutchence Memorial
Ollie Olsen on MySpace