Editors: Lullaby
It seems like I’ve been posting a lot of covers lately. I hope you don’t mind, but here’s another, a bit inspired by Nocturna this evening. If you’ve somehow managed to not hear Editors before, go check them out; this may be a cover, but it’s an excellent example of their style.
In a statement about their most recent album and criticism of its tone, Tom Smith wrote, “dark is interesting, dark is exciting, dark can be funny, there’s real life in the dark, real life IS dark…I am so fucking bored of people asking us why we’re so “dark”, or worse questioning our integrity for being this way, this is how we do it, it excites us to express ourselves like this, to be honest we don’t even understand what the alternative is and the alternatives we can imagine are too boring for us to even consider”. Did he just write the Grufti Manifesto?*
Who better to rework a Cure song, then, than Editors? Smith invokes Ian Curtis to make Robert Smith’s lyrics a little more paranoid, but I’m still not buying that he’s really afraid of “the spider man”. In fact, I suspect that he might just be inviting him over for dinner.
This track is taken from the BBC Radio 1 Established 1967 2 disc compilation, released in 2007 and bizarrely listed as being a Kaiser Chiefs album (they contributed the first track). It chronicles 40 years of the legendary radio show with 40 artists doing a cover for each year. Editors were assigned 1989; they certainly did right to choose a song off of Disintegration.
official website
Buy Editors on Amazon.com
*I prefer the word “grufti” because it’s much more inclusive than “goth”. I encourage you to use it as well!
Posted: August 21st, 2010
at 6:06pm by Qbot
Tagged with 2007, bbc, british, chris urbanowicz, covers, disintegration, editors, edward lay, goth, grufti, ian curtis, joy division, lullaby, nocturna, post punk, radio 1, russell leetch, the cure, tom smith
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Tiger Baby: Love Will Tear Us Apart

Since we’re doing a tribute to Ian Curtis this week, I’m going to take this opportunity to post a song that I love but never play: Tiger Baby’s excellent cover of “Love Will Tear Us Apart”. Done in their signature sweet-but-meloncholy style of synthpop, this is by far my favorite cover of this song that I’ve ever heard. As I mentioned in a post last month, this isn’t their only great cover, either. If you like this, you’ll find it’s very representative of Tiger Baby’s original material, which I highly recommend.
As for why I never play it:
Frankly, I don’t have the balls. I’m afraid the crowd will lynch me if they hear anything but the original. Also it has this 30 second long beatless break in the middle–that’s a long time on the dance floor. But Darrel keeps requesting it, so maybe someday…
Taken from their 2006 album Noise Around Me, available directly from the band’s own online shop.
official website
Posted: July 13th, 2010
at 6:52pm by Qbot
Tagged with 2006, atomic, benjamin teglbjaerg, danish, darrel, ian curtis, joy division, nikolaj tarp gregersen, noise around me, pernille pang, synthpop, tiger baby
Comments: 1 comment
A Certain Ratio: Shack Up
This blog entry is something has been an item that’s been a long time coming, aside from the fact that I’ve been pushed the passed several weeks to do so. Through technological failures, and alcohol issues, I’ve pretty much sidelined this project (that and I’m a lazy son of a bitch, one must note). What makes this particular post all the more pressing is the necessity for A Certain Ration to be known by YOU!: the common people, the beautiful people, the wondrous, glorious readers of this blog, and fellow patrons of Atomic.
In a perfect world, ACR would have shared some of the notoriety of fellow label mates, Joy Division. Not that I believe they’re more deserving of it than say later acts :cough: Happy Mondays :cough:, but ACR would find its audience. The band would find popularity in NYC clubs, falling in with the post-disco/punk, and the short but influential no-wave movements; with other funk-stylized acts, ESG and Liquid Liquid (to name a shallow few).
So, here is where I serve up one of my favorite tracks (there’s also a pretty outstanding remix that should be sought after). Enjoy!
official website
Buy Shack Up on Amazon.com
Posted: June 23rd, 2010
at 6:51pm by Harlot
Tagged with 1980, british, factory, jez kerr, joy division, manchester, martin moscrop, peter terrell, post punk, simon topping, tony wilson
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Nine Circles: Here Come I + Twinkling Stars
Lying somewhere between Joy Division and Fad Gadget and sounding far more French than they actually are is a Dutch duo I’ll almost guarantee you’ve never heard of: Nine Circles. I can say this with some confidence because most of their catalog, though recorded in 1982, was never even released until 1996. No, I’m not making that up. I have no idea why they sat on it so long, because they probably would’ve been a big hit in some alternative dance clubs 28 years ago.
According to their MySpace page (sorry, it’s all I have to go on), Lidia Fiala and Peter Van Garderen are actually doing concerts still. I doubt we will ever see them here in the States, but I can always hope they’ll open on the next Ladytron tour…
Nine Circles on MySpace
Buy Nine Circles on Amazon.com
Posted: June 3rd, 2010
at 2:29am by Qbot
Tagged with 1982, 1996, dutch, fad gadget, french, joy division, ladytron, lidia fiala, minimalism, new wave, peter van garderen
Comments: 1 comment
Colder: To The Music
I’ll complete our series of New Order tribute posts this week with a look towards the future and an artist I have been dying to write about since we started this blog. The work of Parisian graphic designer Marc Nguyen Tan, Colder bears some resemblance to the fashion industry he works in by day; dark minimalism comes across as stylish and sexy despite it’s mechanical synthesized structure and disassociated vocals. Is this meant to be heard on a dance floor, or alone at home with the lights out?
“To The Music” is a particular favorite of mine, an anthem to the solitary dancer, lost in the music and oblivious to the gaze of bystanders. I can think of few songs more appropriate for Neo, where it seems all eyes are on the floor. It’s taken from Heat, but if I were to recommend only one Colder album, I’d first choose 2003′s solid Again. Though the influence of Joy Division couldn’t be more obvious, it’s an equally fine example of modern French new wave.
Without an official website (or even so much as a MySpace page) and a now-defunct label, it’s difficult to know if/when there will be another Colder album out. In this rare interview in 2005, he seems to indicate that making music is not a high priority, so we may be waiting a while. He also hints at a collaboration with Chris & Cosey. Yes, that Chris & Cosey.
Finally, no post on Colder would be complete without including Nguyen Tan’s unbelievably good remix of Depeche Mode’s “Clean”. I feel like Depeche Mode doesn’t get enough credit for how spot-on they are with choosing the most perfect and current producers to remix their stuff, and they really nailed it with this one. Do I dare say it? I like it better than the original.

Coincidentally, Marc Nguyen Tan released a new album just last week; it’s a collaboration with his long time friend Guillaume Ollendorff, under the name Scratoa!. Called Live en San Antón, it was recorded in the barrio of the same name in Alicante, Spain two years ago. It’s improvised noisy experimental sound is quite a departure from Colder, and will more likely appeal to Nurse With Wound fans. Scratoa! on Amazon
Posted: February 3rd, 2010
at 6:17pm by Qbot
Tagged with 2005, again, chris and cosey, clean, colder, dark, depeche mode, designer, french, guillaume ollendorff, heat, joy division, live en san anton, marc nguyen tan, minimalism, new order, new wave, nurse with wound, paris, post punk, remix, scratoa, to the music, tribute
Comments: 1 comment
New Order: Tribute at Neo 2/4/10
I still get excited every year when we do our New Order Tribute Night. It’s not only a chance for us to play a bunch of New Order that we don’t normally play at Atomic, but it’s now one of the few times a year that I indulge in the brilliance of one of the most influential bands over the last thirty years.
The two songs here represent two completely different New Order styles, but they share that sentimental touch that ties the history of the band together. “Dreams Never End” is from their debut album Movement. Musically, the album still had a Joy Division feel to it, but it laid the ground work that turned them into international pop stars later in the decade. It’s one of the few New Order songs with Peter Hook on vocals. Listen to Dreams Never End (1982) and then The Cure’s Inbetween Days (1985). Trust me. The second song, “Here to Stay” was recorded for the 24 Hour Party People Soundtrack in 2002 and was dedicated to Martin Hannett (Joy Division/New Order producer), Rob Gretton (Joy Division/New Order manager), and Ian Curtis (Joy Division lead vocalist).
New Order Online [official fansite]
Posted: January 26th, 2010
at 4:58pm by Kamar
Tagged with 1982, 2002, 24 hour party people, atomic, british, dreams never end, factory, here to stay, inbetween days, joy division, martin hannet, movement, new order, peter hook, pop, post punk, rob gretton, the cure, tribute
Comments: No comments






Sep 2: Atomic with guest Lady D








