Yello: Bostich
Last night started off really slow--after all, a good portion of our crowd was at early in the night--but by the time Arturo went on and The Handsome Devilz arrived, it was a juggernaut. While Kamar was rallying the dancers over to Neo, I got to do a long early set. One of the things I love about doing early sets at Atomic is that I get to experiment a bit and gauge reactions before I play a song to a packed floor. Will they dance if I play this? Will the regulars run up to the booth screaming about how they love it or how they'll strangle me if I ever play it again? Sometimes, I realize that I should've been playing it at 1am all along.
Such is the case with the Yello classic "Bostitch". It blows my mind that this single was released in 1979. Typical of Yello's style, it's sophisticated, dark, and avant-garde. It's very new wave, it's really tech-house, it's vaguely industrial…and no, that is not Douglas McCarthy from Nitzer Ebb singing. Actually it's Dieter Meier [], the conceptualist half of Yello, whose ideas are executed by self-claimed perfectionist Boris Blank, who reportedly has a library of over 100,000 samples he made from scratch.
Now in their 60s, Meier and Blank are still making music as Yello, and it's still just as good. Most of their current work is in soundtracks these days. Recently, they've worked with Audi and been the subject of a documentary. I hope I'm half as cool as they are when I'm their age.
"Bostich" is on their debut album Solid Pleasure.
Posted: February 26th, 2010
at 6:25pm by qbot
Tagged with 1979, arturo, atomic, audi, avant garde, bostich, dark, dieter meier, douglas mccarthy, house, insane sample libraries, millionaire singers, new wave, nitzer ebb, old guys, qbot, queen is dead, swiss, techno, the handsome devilz, yello
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Placebo: Bigmouth Strikes Again
Somewhere back in the '90s, I drug a handful of friends to a Placebo show in St. Louis. Having only ever heard their solitary US hit "Pure Morning", they were skeptical, and I can hardly blame them. I don't much care for that song; to me it is to Placebo what "Vaseline" is to Flaming Lips fans: an annoyance that requires so many "no but really, their other stuff is so much more than that" explanations.
I'm proud to say that my friends left the show that night as Placebo fans, and henceforth trusted my judgement about these sorts of things.
Despite the little airplay they get here in the States, thankfully they've attracted enough of a cult following to tour here every few years. I always go see them, and -I can't say this about too many bands- they've always gotten better. One of the things one comes to expect from their encores is a cover of someone who has influenced them; I'm quite fond of what they've done to The Pixies and Kate Bush. But since this week we are providing the afterparty for The Queen Is Dead (details to your right), it seemed more fitting to post their rocked-out version of The Smiths' classic "Bigmouth Strikes Again" from their collection of covers Sleeping With Ghosts. Though not necessarily as good or true to the original, their take on it is worth noting.
Posted: February 23rd, 2010
at 11:53am by qbot
Tagged with 2003, bigmouth strikes again, brian molko, british, britpop, covers, flaming lips, kate bush, pixies, placebo, queen is dead, sleeping with ghosts, stefan olsdal, steve forrest, the smiths, vaseline
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