Tribute to Gary Numan: Radio Heart + My Jesus
Tonight we celebrate the career of electronic music pioneer Gary Numan, and we'll be giving away tickets to his show at on Tuesday. He'll be playing his signature album Pleasure Principle in it's entirety. Also playing: the amazing and beyond definition Recoil (which I'll blog about this weekend), and Daniel Myer project Architect, rounding out the lineup appropriately with a little noisy techno-industrial.
Radio Heart was a project of Hugh Nicholson, a friend of Gary Numan's. Elton John and Ray Cooper also contributed vocals on various tracks, but the three songs featuring Numan are by far the best on the album. The single "Radio Heart", released in 1987, is far more mainstream pop than his own output, and likewise achieved more chart success than Numan had on his own at the time.
My favorite Gary Numan album does not come from his smashing glam-meets-new wave '80s-era work, but his 2000 release Pure. Following in the wake of his wife's repeated miscarriages, Numan took a page from Trent Reznor's book (and one he himself inspired, no less), and wrote an industrial-inspired epic of pain and scathing religious commentary, as exemplified in "My Jesus".
Posted: October 21st, 2010
at 8:00pm by qbot
Tagged with 1987, 2000, alan wilder, architect, atomic, british, daniel myer, elton john, gary numan, hugh nicholson, industrial, metro, new wave, pleasure principle, pure, radio heart, ray cooper, recoil, trent reznor, tribute, tubeway army
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Portion Control: The Great Divide
Portion Control are one of the most influential artists in the canon of electronic music, and name-checked by some of the biggest underground artists in electronic music, including Front 242, Skinny Puppy, and Depeche Mode. Even Trent Reznor cited them recently as a major influence. Yet for some reason, Portion Control are still virtually unknown to many; which is a crime, because they wrote some of the best hard rhythmic electronic anthems ever during the years of 1982-1986.
This south London trio started their rhythmic chaos in 1980. Their earliest cassettes resembled sounds of layered cut up industrial noise that the geniuses Cabaret Voltaire manipulated. As PC progressed further, their sound got harder. Imagine if you will the furious noise of Throbbing Gristle spliced into the electro funk of Grand Master Flash. Combine hard analogue keyboards with propulsive beats, noises, but several melodic elements. Add Dean Piavani's voice, rather punk and gruff to contrast the cold machines. It's the perfect foil that gave rise to a new genre of music coined by the UK music press in '84, "electro punk".
However, it was 1985 when Portion Control flirted with possible stardom with the seminal 12 inch single, The Great Divide. What was so great about this song was that it bridged a gap musically to very diverse sub-cultures. Nihilistic post-industrialists, B-Boy rappers, punk rockers, and house DJs all were mesmerized by how Portion Control used and abused the beat. In fact, back in the day, the cool kids used to break dance in the clubs to the "The Great Divide." Even to this day, one can go to a club, and chances are the DJ might have a copy of "The Great Divide". In 1986, after the release of "Psycho-Bod Saves the World," they stopped recording music under the name, and tried a different project called Solar Enemy. The legend grew around the band only for them to re-surface in 2004. Since their return to 'rapid response electronics,' Portion Control has been very busy releasing a double album, two full lengths, EPs, and a 7" rebuild version of one of their biggest hits, "Chew You To Bits. There are some people that would argue that Portion Control are better than ever. The counting continues once more.
Posted: September 17th, 2009
at 4:45am by Christopher
Tagged with 1985, british, cabaret voltaire, depeche mode, ebm, electro, electro punk, front 242, house, industrial, portion control, skinny puppy, solar enemy, throbbing gristle, trent reznor
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